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Wolf Trap Opera – La bohème
“Hana Park was a shy, gentle Mimi, her light, pleasant voice lending itself well to the very different expressiveness of "Sì, mi chiamano Mimì" and "Addio, senza rancor." As the emotional center of the opera, she glowed.”
-The Washington Post, 2009
“His Mimi — soprano Hana Park — was his physical opposite, small and delicate, as befits the role. Lithe, supple, with consistently lovely phrasing, Miss Park's expressive voice, however, told another tale — strong and emotional in the early innings, but faltering and weakening as the end approaches, leading to a genuine three-hanky finale. This unlikely looking romantic duo could easily outpoint many more famous singers.”
-The Washington Times, 2009
Cincinnati Conservatory of Music – Falstaff
“But it was Park who stole the show in the nocturnal Act 3 scene in Windsor Forest, in her enchanting invocation as the fairy queen. Her soprano was luscious, effortless and pure-toned, with breathtaking high notes that were a joy to behold.”
-Kentucky Inquirer, 2009
“Tenor James O’Hanlon and soprano Hana Park as Fenton and Nannetta, the opera’s genuine love interest, were ideally matched in their sweet vocal timbre and good looks, providing some of the loveliest moments in the opera.”
-Music In Cincinnati.com, 2009
Cincinnati Symphony Orchestra – Mendelssohn: A Midsummer Night’s Dream
“Park projected a light, ravishing soprano and sang with considerable charm, while the women of the chorus and Conlon’s orchestra captured the magic of Mendelssohn’s fairies.”
-Kentucky Inquirer, 2009